This section, “Theory,” serves as an academic platform where the discipline of photography is analyzed through various conceptual and interdisciplinary lenses. It is dedicated to exploring the interconnections between photography and fields such as philosophy, sociology, and art history. Readers are invited to engage with discussions on how photography is both influenced by and contributive to these disciplines, emphasizing its cultural, artistic, and scientific significance. The category also critically examines key aesthetic concepts related to photography, such as the sublime, the uncanny, and the picturesque. Ideal for scholars and practitioners alike, “Theory” offers in-depth analysis and reflection on the fundamental principles shaping photographic practice and theory.
Hito Steyerl, 2009. Lien vers l’article originel : https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/ L’image pauvre est une copie en mouvement. Sa qualité est mauvaise, sa résolution inférieure à la norme. En s’accélérant, elle se détériore. … Read more