“Post-photography” explores the evolving landscape of photography in a world where digital technology has fundamentally altered how images are created, distributed, and perceived. This subcategory examines the implications of these changes on the traditional definitions and boundaries of photography. Discussions delve into the rise of digital imaging technologies, the integration of computational photography, and the influence of social media platforms on photographic practices. We also investigate how these transformations challenge the notions of authorship, authenticity, and the photographic ‘truth’. Through articles that engage with contemporary theories and artworks, “Post-photography” offers insights into the future of visual culture in the digital age, providing a critical perspective on what it means to create and consume images today.
Artificial intelligence has radically transformed the way images are produced, perceived, and valued. No longer just tools for editing or enhancement, AI models such as MidJourney, Stable Diffusion, and DALL·E … Read more
In the realm of visual culture, the transition from traditional photography to what is now known as “post-photography” marks a pivotal shift in how we perceive, interact with, and understand … Read more
Explore the intriguing perspectives of Jean Baudrillard on photography and hyperreality, as he challenges conventional notions of reality through his provocative theories. Delve into the legacy and criticisms of Baudrillard’s work, sparking debates and discussions on contemporary society, media, and culture.
Hito Steyerl, 2009. Lien vers l’article originel : https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/ L’image pauvre est une copie en mouvement. Sa qualité est mauvaise, sa résolution inférieure à la norme. En s’accélérant, elle se détériore. … Read more