Theory of Photography
This section, “Theory,” serves as an academic platform where the discipline of photography is analyzed through various conceptual and interdisciplinary lenses. It is dedicated to exploring the interconnections between photography and fields such as philosophy, sociology, and art history. Readers are invited to engage with discussions on how photography is both influenced by and contributive to these disciplines, emphasizing its cultural, artistic, and scientific significance. The category also critically examines key aesthetic concepts related to photography, such as the sublime, the uncanny, and the picturesque. Ideal for scholars and practitioners alike, “Theory” offers in-depth analysis and reflection on the fundamental principles shaping photographic practice and theory.
‘On Photography’ by Susan Sontag | Summary and Exploration
In the vibrant tapestry of human history, 1977 marked the birth of a masterpiece that forever altered our perception of photography. This was the year Susan Sontag, a luminary in … Read more
Rosalind Krauss and Photography: A New Modernity
Modernity through photography Rosalind Krauss (born in 1941) can be considered both in the inheritance and contestation of Clement Greenberg’s work.In her critique of modernism, she has been interested in … Read more