Theory of Photography
This section, “Theory,” serves as an academic platform where the discipline of photography is analyzed through various conceptual and interdisciplinary lenses. It is dedicated to exploring the interconnections between photography and fields such as philosophy, sociology, and art history. Readers are invited to engage with discussions on how photography is both influenced by and contributive to these disciplines, emphasizing its cultural, artistic, and scientific significance. The category also critically examines key aesthetic concepts related to photography, such as the sublime, the uncanny, and the picturesque. Ideal for scholars and practitioners alike, “Theory” offers in-depth analysis and reflection on the fundamental principles shaping photographic practice and theory.
Layers and Masks in Photoshop
Understanding Layers and Masks: The Foundation of Non-Destructive Editing Layer masking is a reversible way to hide part of a layer, offering photographers and digital artists unparalleled editing flexibility compared … Read more
‘On Photography’ by Susan Sontag | Summary and Exploration
In 1977, Susan Sontag published On Photography, a book that profoundly reshaped how we think about images. Far from a technical manual, this collection of six essays examines the philosophical, … Read more
Rosalind Krauss and Photography: A New Modernity
Modernity through photography Rosalind Krauss (born in 1941) can be considered both in the inheritance and contestation of Clement Greenberg’s work.In her critique of modernism, she has been interested in … Read more
Pour la défense de l’image pauvre
Hito Steyerl, 2009. Lien vers l’article originel : https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/ L’image pauvre est une copie en mouvement. Sa qualité est mauvaise, sa résolution inférieure à la norme. En s’accélérant, elle se détériore. … Read more